I love the idea of this: identical twin sisters, but with very different personalities, are making their come-out, but there’s only enough money for one of them to do the season in London. The other is to stay in a small country village, but they’ll meet up once a week… and naturally a certain amount of swapping places goes on. Well, the story practically writes itself, doesn’t it?
The biggest problem is that the reader is inevitably tossed from town to country and back again with dizzying frequency. There are different sets of characters in each to remember, and the two sisters swap names too, so the potential for confusion is enormous. And to make things worse, there are no scene breaks provided, so I regularly missed the signs of a new setting. It would have been so helpful to mark each change of location explicitly, whether London or Piddledean (glorious name!), to avoid confusion. However, by about the halfway point, everything began to fall into place, and there was no more than a momentary where-are-we? sort-out at each jump or new chapter.
The characters are lovely. There are no wicked villains, no real nastiness, apart from a couple of cutting remarks from a previously spurned girlfriend, and everybody means well and acts sensibly and thoughtfully. Nothing of a terribly untoward nature happens, and if the romances fall into place rather too easily, the story is so delicious that I can forgive it. I particularly liked Mama, who, unlike most such characters, isn’t merely a plot device, but has her own very interesting story running alongside her daughters’.
This is a Regency romance of the old school, where the backdrop is the season, the objective is marriage, everyone meets everyone in Hyde Park and there’s a major waltz scene at Almack’s (which is wonderful, by the way). Any reader looking for hot sex, a moustache-twirling villain, a heroine who strides about in trousers smoking cheroots or similar should move swiftly on. No Regency conventions are flouted here, and the language is mostly authentic. There are one or two turns of phrase (’visit with’ or ‘fall’, for instance) that sounded too American, but it wasn’t intrusive.
The book reads well enough as a standalone, but there are suggestions of previous books here and there, as various characters and events are alluded to. So if you’re a stickler for reading in order, you might want to check out the author’s other books first.
This is a delightful story that I thoroughly enjoyed from beginning to end. Five stars, and I’m going straight off to root out the author’s other Regencies.