Tag: harmon

Review: Katherine When She Smiled by Joyce Harmon

Posted March 16, 2019 by Mary Kingswood in Review / 2 Comments

Every Joyce Harmon book is a delight and this one is no exception. For anyone looking for a substitute for Georgette Heyer, here’s an author who might just fit the bill. She has a light hand with dialogue, a strong array of characters and plots that effortlessly unfurl. This one eschews the standard Regency settings of society London or Bath, being firmly set in a small village, but that makes it a gentler, more affectionate look at Regency life. And it’s very, very funny. I do love a book which makes me chuckle all the way through.

Heroine Katherine is the oldest of her family, now orphaned by the recent death of her father. But amongst his scholarly papers she finds a half-written Gothic novel, the latest in a long line of them, by which her father had secretly been supporting his family. Katherine realises that, to keep a roof over their heads, she has to continue her father’s novel-writing career.

Our hero is the long-awaited brother of a duke, a soldier returning from the wars to claim his estate and find himself a suitable wife. The ladies of the village have their own ideas on the subject of suitability, and handsome Lord Charles sets many a female heart a-fluttering – except for Katherine, who’s busy fending off the attentions of the worthy young vicar while shouldering all the burdens of her family.

As with Heyer, the subplots, which involve a couple of boys behaving boyishly and much Gothic fun and games, tend to overshadow the romance at times, and although we see Charles’ moment of revelation regarding Katherine, we never see hers towards him (or at least, it is so understated as to be almost invisible), which was a great pity. I do like to see the protagonists inching towards an understanding. But both of them behaved with intelligence and common sense, no one acted stupidly in pique and (hallelujah!) there were no contrived misunderstandings.

Some of the loose ends tidied up and the other pairings resulting seemed a little too convenient to me, but I won’t quibble. There were a very few typos, and a smattering of Americanisms (gotten, fall instead of autumn), but Harmon has such a strong grasp of the Regency era that it never bothered me. This is a lovely traditional Regency, very much in the style of Georgette Heyer, and I highly recommend it, and all Harmon’s books, to all Heyer fans. Five stars.

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Review: Regency Road Trip by Joyce Harmon

Posted March 16, 2019 by Mary Kingswood in Review / 0 Comments

 

This is one of those delightful books that is filled with something that’s so rare in modern writing – charm. It manages to be whimsical without being silly, it’s effortlessly funny and the plot rattles along at a nice pace. And three rousing cheers for a romance featuring a decidedly older couple. Yes, there’s a side romance with a younger pair, but that never overshadows the main event.

The plot is a simple one: the Earl of Salford has returned from the wars to find his estate on the verge of ruin at the hands of his cousin and heir. The estate can be rescued, but as soon as the aging earl pops off, the heir will take over again, unless he can produce an heir to transplant the cousin. In most Regencies, this would be the cue for a marriage of convenience plot, but the earl refuses to play that game. Instead, he trawls the family tree and finds a missing branch of the family which meandered off into middle-class-dom a couple of generations ago.

To track down the missing heir, he recruits his good friend Eliza Merryhew, and to make things more fun, they travel incognito, as a baron’s widow and her devoted manservant. Which just makes things even more entertaining, of course. If the search is a little too easily resolved, that just leaves a little more time for those romances to brew up. My only complaint is that the story is too short – I really wanted more about this lovely couple! Five stars.

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Review: ‘A Feather To Fly With’ by Joyce Harmon

Posted March 31, 2018 by Mary Kingswood in Review / 0 Comments

It’s always a good sign when a book keeps me up until 2am, and so it is with this captivating tale, which could almost be an undiscovered Georgette Heyer. There’s nothing terribly unexpected about the story, but it’s the characters who make it. The scholarly and unworldly Duke of Winton is adorable, and his efforts to move through the social whirl of the season and find himself a wife are gloriously funny. He approaches it, naturally, as a scientific problem to be solved, but misunderstandings abound, as when his friend suggests sending a book instead of flowers to a young lady after a ball, and the duke sends her ‘Principia Mathematica’, but only the English translation, in case her Latin isn’t up to the original! The friend, Justin Amesbury, is the exact opposite, socially astute, gently guiding the duke through the shoals of ambitious mamas and insipid debutantes, a thoroughly nice man.

The ladies are just as well drawn. Cleo is the unconventional daughter of unconventional parents, newly arrived in England determined to restore the family fortunes to allow her younger brother to be a gentleman, and armed with a cunning plan to achieve her aim. Felicity is the dutiful daughter who knows she’s expected to marry well. And when these four get together, things go a little awry. But the ending is pure Heyer, a mad dash through the countryside with misunderstandings on all sides, followed by a slick and very fast wrap-up of the romance elements.

This one won’t work for you if you expect a romance to involve heavy interaction between the principals, with loads of sexual tension or actual sex. It also won’t suit those looking for lots of action or modern characters in period clothes. This is a classic traditional Regency romance, which is beautifully written and very, very funny, one of those books that makes you sad when you reach the end. I enjoyed every single moment of it. Five stars.

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Review: ‘The Town And Country Season’ by Joyce Harmon

Posted March 30, 2018 by Mary Kingswood in Review / 0 Comments

I love the idea of this: identical twin sisters, but with very different personalities, are making their come-out, but there’s only enough money for one of them to do the season in London. The other is to stay in a small country village, but they’ll meet up once a week… and naturally a certain amount of swapping places goes on. Well, the story practically writes itself, doesn’t it?

The biggest problem is that the reader is inevitably tossed from town to country and back again with dizzying frequency. There are different sets of characters in each to remember, and the two sisters swap names too, so the potential for confusion is enormous. And to make things worse, there are no scene breaks provided, so I regularly missed the signs of a new setting. It would have been so helpful to mark each change of location explicitly, whether London or Piddledean (glorious name!), to avoid confusion. However, by about the halfway point, everything began to fall into place, and there was no more than a momentary where-are-we? sort-out at each jump or new chapter.

The characters are lovely. There are no wicked villains, no real nastiness, apart from a couple of cutting remarks from a previously spurned girlfriend, and everybody means well and acts sensibly and thoughtfully. Nothing of a terribly untoward nature happens, and if the romances fall into place rather too easily, the story is so delicious that I can forgive it. I particularly liked Mama, who, unlike most such characters, isn’t merely a plot device, but has her own very interesting story running alongside her daughters’.

This is a Regency romance of the old school, where the backdrop is the season, the objective is marriage, everyone meets everyone in Hyde Park and there’s a major waltz scene at Almack’s (which is wonderful, by the way). Any reader looking for hot sex, a moustache-twirling villain, a heroine who strides about in trousers smoking cheroots or similar should move swiftly on. No Regency conventions are flouted here, and the language is mostly authentic. There are one or two turns of phrase (’visit with’ or ‘fall’, for instance) that sounded too American, but it wasn’t intrusive.

The book reads well enough as a standalone, but there are suggestions of previous books here and there, as various characters and events are alluded to. So if you’re a stickler for reading in order, you might want to check out the author’s other books first.

This is a delightful story that I thoroughly enjoyed from beginning to end. Five stars, and I’m going straight off to root out the author’s other Regencies.

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