Another incomparable book from Jayne Davis, an author who always seems to come up with a unique look at the Regency era, without ever stepping outside the bounds of proper behaviour.
Here’s the premise: Joanna Stretton isn’t looking for love, filling her days with caring for her sick mama and helping her papa, rather secretly, with his investment projects. But when she meets handsome and charming Captain Alfred Bengrove, the younger son of a viscount, she can’t resist. He’s only visiting for a week before returning to his regiment in Spain, but he asks Jo to wait for him to return from the war, and she agrees. It’s not a betrothal, but it is a commitment, of sorts. But his family assume it’s a definite betrothal, and then comes the devastating news that Alfred is missing in action.
Happily, he’s only injured and captured by the French, but it’s his writing hand that’s out of action, so he ropes in a fellow captured officer, Captain Robert Delafield, to write his letters home, including those to Joanna. And even when Alfred is well enough to write his own letters, somehow Rob finds a reason to continue to write to Joanna. A most improper correspondence!
And so the stage is set. The reader sees the worst of Alfred, during his time as a prisoner of war in France, and understands that he’s only chasing after Jo for her dowry and the inheritance from her father (she’s an only child and he’s very rich). His obnoxious and snobby family make it obvious, too. And Rob, of course, the hero, is everything that a hero should be – honourable, kind, thoughtful, intelligent and poor. Wait, what? But that doesn’t matter, since she’s so rich… and no, this is not that book, that founders because she’s rich and he’s poor. The only question is how long it will take Jo to switch allegiance once the prisoners return to England. Spoiler: not very long at all. In fact, it all seemed a bit sudden to me. Not the part about wanting to dump the obnoxious Alfred, but the speed with which Jo decided she wanted to marry Rob. But it was a wonderful moment, so let it stand.
If I have a quibble at all (and it’s a minor one), it’s that Jo’s mother, who’s the daughter of an earl, chooses not to use her courtesy title. She could be Lady Frances Stretton after her marriage, but she chooses to be Mrs Stretton, which of course is entirely her right. But given that she’s so conscious of rank, and so keen for Jo to move in the ‘higher society’ of the aristocracy, it seems an odd choice. And then it’s confusing for those who don’t know her. I’m a great believer in everyone being aware of the exact rank of everyone else (or how else is one to know the precise depth to which one is expected to curtsy?). I’ve read several books where the hero introduces himself as simply {Name} and he’s assumed to be Mr Name, when he’s really the Earl of Name (or similar). It’s misleading and potentially embarrassing.
Now in this case, it does lead to some glorious set-downs, such as when the obnoxious Alfred’s even more obnoxious mother patronisingly asks Jo how she would address the daughter of an earl, and she perkily replies, “The one I know, I call Mama.” Which is lovely, but I still think the obnoxious mother ought to be told this sort of thing upfront. And later, when she (a mere viscountess) says she outranks Mrs (or Lady Frances) Stretton, she’s plain wrong. They both have the rank of a viscountess. A daughter of the aristocracy married to a commoner retains her birth rank from her father, leading to the non-intuitive result that of two sisters, both daughters of earls, the one married to a commoner outranks her sister married to a baron, who takes her rank solely from her husband. But that’s a huge digression, and not really relevant.
In summary, another wonderful five-star read from the author. Highly recommended.

Every book by Jayne Davis is a joy to read and this is no exception. Wonderful, well-rounded characters, a plausible plot and a writing style that’s both literate and authentic; what’s not to like?
This is the book I wish I’d had when I first started writing Regencies seven years ago. In fact, I did no research at all for my first attempt, apart from steeping myself in Georgette Heyer’s entire catalogue and absorbing a great deal of information by osmosis. So, I just sat down to write. But there came a moment in the second book when my heroine was writing a letter. She finished it, set down her pen and reached for an envelope… Wait a minute. Envelopes? In the Regency? Vague memories surfaced of simply unfolding a letter (thank you, all those BBC costume dramas, but are they accurate?). So it’s off to the internet to look it up. The trouble with the internet is that it’s not Regency-focused, so you have to jump past paragraphs about aerograms and the US Civil War and Japanese envelope sizes before you get to the history of envelopes, and even then it has to be teased out of a deluge of irrelevant information. But by contrast, Writing Regency England says succinctly: ‘ Pre-made envelopes did not exist until after 1830, so letters were usually folded and secured by the use of sealing wax or a paste wafer.’ Perfect!
Jayne Davis is one of the most reliable of the new school of historical romance authors, not because she writes the familiar themes repeatedly but precisely the opposite. She’s not afraid to step off the well-trodden paths and set her characters firmly down in unusual territory – the pre-Regency Georgian era, for one thing, far-flung parts of the British Isles for another, and the hard-working middle and lower classes. As a consequence, her books are always fascinating, and this is just the latest example.
I’ve been waiting for this to come out because the premise is so intriguing. And even though I knew how it would have to end, the interesting question was how the author would get to that point and make all the characters sympathetic. Be warned, however, that there is one scene of a sexual nature, and the book contains some serious sexual themes, dealt with in a sympathetic but honest way.
Another lovely novella from one of the most reliable of recent Regency authors, and a prequel to the fascinating Marstone family saga.
Short but very sweet – a lovely little novella about a soldier returning from the Napoleonic wars to claim the woman he’s loved for years, battling through snow to her side, only to find that she’s on the brink of marrying her cousin. Needless to say, there’s a lot more to it, as Meg is being forced into marriage by threats against her mother. Jon arrives just in time, but what can he do to help? He can save Meg by marrying her himself, that’s what.
Another absorbing read from Jayne Davis, with a basic plot that might have been a bit dull in other hands (that well-worn scenario, the choose-a-bride house party) spiced up with an intriguing spying plot.
Well, that was awesome. Jayne Davis is my favourite kind of author, partly because I never know what she’s going to come up with next and partly because she allows the story to expand and grow and unfurl its petals in whatever way feels right. So many authors constrain their characters to conform to the needs of the plot, but Davis’s tales always feel completely natural and organic, as if they were always meant to be. This one starts with a tense escape from revolutionary France, morphs into a first London season, complete with visits to the mantua-maker, drives in the park and assorted suitors, veers off into a brilliantly funny piece of trickery worthy of Georgette Heyer, lurches back into tension again and then ends with a delicious romantic denouement. Utterly wonderful.
Jayne Davis is an interesting writer. Every book she writes is different, and I love that sense of not knowing what I’m going to get when I fire up the Kindle. Her debut, The Mrs MacKinnons, was sharply original and darkly funny. Sauce For The Gander was a more conventional romance with a strong helping of boy’s own adventure. An Embroidered Spoon had the unusual setting (for a Regency) of Wales, coupled with an uncompromising view of the stifling life of a young woman in the era. And here we are with another switch, a straight-down-the-line tale of the kind that Georgette Heyer fans love – fancy gowns, balls, rides in the park, matchmaking and all the paraphernalia of the London season, with a spying sub-plot. It’s all great fun, and if I slightly miss the out-there originality of The Mrs MacKinnons, this is still better than 99% of Regencies on the market these days.