Tag: addey

Review: The Viscount’s Pearl by Melissa Addey (2025)

Posted February 24, 2025 by Mary Kingswood in Review / 0 Comments

Another awesome read, slightly marred by a few issues, but Addey really knows how to create fascinating, unique and yet totally believable characters.

Here’s the premise: Frances Lilley is about to embark on her fourth season, to the despair of her parents. She’s just too different to ‘take’, but she doesn’t mind. All she wants is to be left alone to collect shells and use their unique beauty to decorate her home. If it were up to her, she’d settle happily for spinsterhood and a house of her own near the sea. Laurence Mowatt is the consummate man about town, socially adept and taking advantage of his freedom to enjoy discreet liaisons with married women. As the heir to a viscountcy through his mother—

Wait. Let’s talk about that. Laurence’s uncle (his mother’s brother) is a viscount, and somehow Laurence in his heir, both to his fortune (which is fine) and his title (which is problematic). There are titles inherited through the female line, but mainly in Scotland. In England, it’s so vanishingly rare that it really ought to be explained. And no, the uncle can’t choose who inherits the title. That was cast in stone at the time the title was created, and can’t be changed. But the whole book is built around the title he’s going to inherit, so let it pass.

Anyway, as the heir to a viscountcy from his uncle, and also to his father’s estate, he’s a very desirable match for ambitious mothers and their daughters. He knows he ought to marry, and he’s decided he will do it soon, but he’s not hanging out for a love match. A marriage of convenience will do him very well, and he’s even picked out his future wife, Lady Honoria.

But his benevolent uncle has other plans for him, plotting a little to throw him into the way of his god-daughter, Frances. The two meet at Lord Barrington’s house at Margate, in Kent, where Frances is spending her days happily shell-gathering. At first, she won’t look him in the eye and is monosyllabic, but as they spend more time together he discovers that she’s intelligent and articulate, with a refreshingly honest approach to life.

This part of the book is delightful, as Frances gradually learns that not all young men are worthless fools, and Laurence gradually learns that not all young ladies are simpering imbeciles. But the season beckons, and they both return to the fray, she in increasing despondency and he growing tired of the endless games. Even a house party with an array of suitable young men and the chance for more meaningful interaction than a dance at a ball produces no offers. In despair, her parents accept an offer for her from sixty-year-old Lord Hosmer, who promises to tame her, forcibly if need be. In desperation, she writes to Laurence, offering herself for his marriage of convenience, if only he will rescue her from horrible Lord Hosmer. Which he agrees to, and they have one day of happiness at Margate before Lord Barrington dies and everything changes.

And this is where the book goes off the rails for me. Laurence bundles Frances off back to London and her parents and sets about the business of being the new Lord Barrington, which takes him weeks. And in all that time, he doesn’t write to Frances, doesn’t send word to her, doesn’t write to her father to explain his intentions, doesn’t put a notice of the betrothal in the papers. No, just no. Here’s a nice bloke, shaping up nicely as hero material, drifting away from his hedonistic life, happy to be marrying Frances, in love with her, even, yet he can’t write her a single letter? Even if he thinks she only wants a marriage of convenience, surely he would have at least told her what he was up to, and given her some idea of his plans? Wouldn’t he have wanted to write to have the pleasure of her writing back to him?

So I can’t believe in the slightest in this new, thoughtless Laurence. Of course, it ratchets up the tension enormously, in case she gets dragooned into marrying horrible Lord Hosmer, but it is just too implausible for me.

There’s one other implausibility that also grated on me, in that when Frances finally gains a house of her own, she’s allowed to live there alone. No unmarried woman would be so unconventional as to live alone. She should have had a married woman or a respectable older spinster to protect her reputation.

However, all comes right in the end, inevitably, and if there were a few bumps in the road, these latter troubles were entirely character driven and therefore believable. I loved Laurence’s efforts to please Frances, even if he sometimes got it wrong. Probably it would have been better just to ask her what she wanted, but they were lovely romantic gestures, so I can’t quibble over that. There is some sex in the book, and some misunderstandings along the way, resolved in what sounded like a pretty uncomfortable way.

Normally, the problems that worried me would knock the book back to three stars, but Addey is such an awesome writer that I couldn’t do it. Frances is so beautifully drawn as an autistic character, Laurence is (apart from that one lapse) a wonderful hero, Lord Barrington, with his fascinating but delicately sketched history, is a charming matchmaker, and an honourable mention for Margate and its beaches, a character in its own right. And it’s a pleasure to read a book free of typos and Americanisms. So four stars it is.

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Review: Lady For A Season by Melissa Addey (2024)

Posted February 24, 2025 by Mary Kingswood in Review / 0 Comments

This is possibly the most unusual Regency romance I’ve ever read. It sounds seriously unworkable, but although I had a few issues with it, overall the author does a magnificent job overcoming the inherent implausibilities for one of the most resounding characters arcs ever.

Here’s the premise: Maggie was left at a foundling hospital as a baby by her mother, raised in the strict atmosphere there to be a useful and hard-working member of society. At the age of twenty, she’s taken to a cottage many miles away where her job will be to act as ‘companion’ to a lunatic, confined there by his family for his own good. Edward is a quiet, nervous young man, not much older than Maggie, but as she encourages him to enjoy himself a little, even to play (the inevitable snowball fight), he begins to open up a little and she begins to wonder whether he’s really mad or whether his withdrawn nature and nightmares are merely symptoms of some traumatic experiences.

Every two months, a doctor comes to administer ‘treatment’ to Edward, which is described in graphic and horrifying detail. The author’s note at the end assures the reader that everything described was actually used at the time. We can only be thankful that medicine has moved on since those benighted times.

But then comes disruption. Edward is a son of the Duke of Buckingham, and now that his father and elder brother are both dead, he’s taken back to his home of Atherton Park to be groomed for the London season, where he is to marry and sire an heir or two. His mother insists on his compliance, but he insists on having Maggie, the only person who ever cared for him, by his side during a process he finds terrifying. So Maggie is to be dressed in finery and put through the season, too, masquerading as an impoverished distant cousin, and the few months before then are spent preparing both of them to appear in society.

There’s a huge amount of detail of the preparations – the clothes, the dancing master, the art master, the learning about cutlery, even the choosing of ribbons. Frankly there was way too much of this for my taste, and it could have been summarised in a couple of paragraphs, but if you ever wanted to know exactly what a lady needs for the season, this is the book for you.

So off we go to London, first for the Little Season in the autumn (which to my understanding wasn’t a thing, but never mind) and then for the main season from Easter onwards. The author has them returning to London very early in the year purely (I suspect) so she can take the main characters for a day at the Frost Fair, when the Thames was so ice-bound that all sorts of stalls and entertainments took place on it. To be honest, while interesting, I didn’t think this added much to the story.

Thus to the season proper, where Edward is hounded to the limits of his endurance and beyond by ambitious girls and their mothers keen to catch a duke, and Maggie becomes a success, too. And no one seems to guess that she’s not really aristocracy, not even lower gentry, but a working class girl. This is the point where I have to grit my teeth, because the difference in accent would be huge and not easy to overcome, even with a great deal of training, but I didn’t see any mention of it. Well, Maggie is a bit of a Cinderella, so let’s just go with the flow.

All the while, there’s the dark threat hanging over Edward that if he doesn’t do as he’s told, he’ll be locked away again, and this time forever. If he complies, he’ll still live a restricted life but he’ll have some freedom. So he goes along with it for that little sliver of hope, and Maggie helps him. So even though the two have clearly fallen in love, they’re terrified to do anything about it, thinking that Edward’s mother and his doctor have all the power. The moment when he breaks free, realising that – he’s a duke! He can do whatever he wants! – is absolutely glorious, and makes this book truly special.

A few minor quibbles. Side-saddles with twin pommels were a Victorian invention, as were dance cards (although the paper fan style sounds charming). I was also uncomfortable with using a real duke’s title. The author explains that the Duke of Buckingham’s title is now extinct, and was so during the Regency, which is true, but there were real Duke’s of Buckingham both before and after, so it seems cheeky to me. It’s not hard to make up a name. Still, kudos for pointing out that there were fewer than thirty non-royal dukes at the time. Not a lot of people know that, and if you read much Regency romance, you’d be forgiven for thinking there were thousands of them. There’s one gratuitous and totally implausible sex scene, although tasteful rather than graphic.

But none of this made much difference. I loved the original characters (a lunatic and a foundling! How many authors would even dare?), I loved the slow-build romance, I loved seeing Edward ever so slowly becoming the self-confident young man he was destined to be. I also loved the free-spirited Lady Honoria, and hope she turns up in a later book. And oh the joy of a book free from typos and Americanisms. Highly recommended. Five stars.

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